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Books I've Drawn
- The Art Of Sean Phillips
- Scene Of The Crime
- Void 01
- Fatale: Death Chases Me
- Fatale: The Devil's Business
- Fatale: West Of Hell
- Fatale: Pray For Rain
- Criminal: Coward
- Criminal: Lawless
- Criminal: The Dead and the Dying
- Criminal: Bad Night
- Criminal: The Sinners
- Criminal: The Last Of The Innocent
- Criminal The Deluxe Edition
- Criminal The Deluxe Edition Volume 2
- Incognito
- Incognito: Bad Influences
- Incognito: The Classified Edition
- Nelson
- Sleeper Omnibus
- The Invisibles Omnibus
- Marvel Zomnibus
- Dark Tower: The Gunslinger
- Sleeper Season One
- Sleeper Season Two
- Intersections
- Blow Up
- Marvel Zombies
- Marvel Zombies 2
- Marvel Zombies: Dead Days
- Sept Psychopathes
About Me
Welcome to my blog. You've probably gotten here from my website www.seanphillips.co.uk. I plan on this place being a companion piece to there, hopefully updated more often.
Every working day I'll post an example of what I've been working on that day. a favourite panel or cover or sometimes a whole page of comics.
Every working day I'll post an example of what I've been working on that day. a favourite panel or cover or sometimes a whole page of comics.
Blog Archive
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2011
(211)
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April
(16)
- Last Night's Life paintings
- CRIMINAL Inks
- CRIMINAL Partial Inks
- CRIMINAL: The Last Of The Innocent #3 cover
- CRIMINAL Cover In Progress
- CRIMINAL Cover Sketch
- CRIMINAL inks
- More CRIMINAL Inks
- CRIMINAL Inks
- CRIMINAL: The Last Of The Innocent #2 Out In July
- Back From KAPOW
- Tonight's life painting
- CRIMINAL Inks
- Sunset On Sunset
- More Inks
- Last Night's Life Painting
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April
(16)
4 comments:
really inspiring wheneva i see your work sir.
especially the shadow..black spot..inking..
( referring to your work while doing my own comic)
Great. I loved the flashback stories last time round.
how come i dont see any blue lines-did you do something different? man i want this page! awesome!
This is a really stunning page, Sean! Your use of heavy contrast and reverse lighting is immensely inspiring. A balance I'm aiming for in my work as well. But your dry brush technique (if I'm not mistaken) adds an aesthetic that's undeniably graphic. You using traditional brushes or a Pentel for all that goodness?!
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