Just wondering. When you're composing a shot/scene, do you make conscious choices for everything or you let accidents happen? Your rhythm in this piece seems so well timed, almost like composing in short staccatos to create the dynamic conversation between the two characters.
Perhaps the scrip is completely detailed... I think the most interesting is how a synthetic and dirty style (dry brush?)becames something so dynamic and interesting. Wow!
Anna, This page was written with only 9 panels, so I've added a couple more to break up the dialogue. I often do that on talky pages. Apart from that, most of the storytelling choices are instinctual, I've been doing this too long to have to think about it much anymore.
Just wondering. When you're composing a shot/scene, do you make conscious choices for everything or you let accidents happen? Your rhythm in this piece seems so well timed, almost like composing in short staccatos to create the dynamic conversation between the two characters.
ReplyDeletePerhaps the scrip is completely detailed...
ReplyDeleteI think the most interesting is how a synthetic and dirty style (dry brush?)becames something so dynamic and interesting.
Wow!
Happy new year Sean!
ReplyDeleteGood page as always I like the way you decide to structure the panel /dialogue here, and the close shots use
Anna,
ReplyDeleteThis page was written with only 9 panels, so I've added a couple more to break up the dialogue. I often do that on talky pages. Apart from that, most of the storytelling choices are instinctual, I've been doing this too long to have to think about it much anymore.