you have a very specific look on your dry brush, wich is normally related to the kind of paper you use, I noticed similar ones on vellum paper, is that the one you use? I´m just curious because you (apparently) print text and word ballons to draw after with them already placed, I don´t know if it is possible to print this on this kind of paper....well, just curious.
Hey Sean- ___________________ Just wanted to satisfy a bit of my own curiosity on how your putting Incognito together. Are you illustrating all your panels butted together on pages like this, then cutting and pasting them into the border-less layouts that I've seen in the first three issues (it would sort of answer the "I wonder why Sean isn't drawing borders around panels" I've been thinking)? _______________ later, John Bivens
you have a very specific look on your dry brush, wich is normally related to the kind of paper you use, I noticed similar ones on vellum paper, is that the one you use? I´m just curious because you (apparently) print text and word ballons to draw after with them already placed, I don´t know if it is possible to print this on this kind of paper....well, just curious.
ReplyDeleteAnother fantastic (and precious for me) lesson of black and white balancing...THANKS
ReplyDeleteReally well done, Sean.
ReplyDeleteI'm impress
again..
ReplyDeletea lot i can learn on your composition...shadow/contrast play
thanks mr Sean
Genius stuff.
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ReplyDeleteHey Sean-
ReplyDelete___________________
Just wanted to satisfy a bit of my own curiosity on how your putting Incognito together. Are you illustrating all your panels butted together on pages like this, then cutting and pasting them into the border-less layouts that I've seen in the first three issues (it would sort of answer the "I wonder why Sean isn't drawing borders around panels" I've been thinking)?
_______________
later,
John Bivens
i'm a fan of you from Turkey.your works are really marvelous.
ReplyDelete